Bueno ya que todos aquellos que vivis en latino america estabais ansiosos por escuchar algo de DBE con las voces de Carlos Segundo y Mario Castañeda os pongo este spot que estan hechando en el canal de TV cartoon network. Se ve y se escucha muy mal ya que esta gravado con un movil. En cuanto pueda encontrarlo en buena calidad lo subo. Gracias a skailiturr , a Z-rider y a Son Goku


En movie blog Ugo han publicado un extenso reportaje sobre DBE, no esta traducida, en cuanto la encuentre en español la subire.

Spoiler:

Dragonball Evolution - Set Visit and Interviews One would not imagine a factory that manufactures jeans would serve as the ideal place to film a major motion picture. But here I am standing inside an abandoned one in the middle of windy Durango, Mexico on the set of Twentieth Century Fox’s upcoming live action adaptation of Akira Toriyama’s crazily popular Japanese manga Dragonball. The story centers on Goku, a seemingly ordinary eighteen-year-old who is brought under the tutelage of one Master Roshi to track down seven mysterious and powerful dragonballs. Goku soon becomes a warrior and finds himself in a race against the evil Lord Piccolo for possession of said balls for protection of the Earth. The sets are impressive, to say the least. Highly detailed and intricate, they actually make you forget you’re in high desert south of the border. We’re led through the Tre San temple, where Master Roshi instructs Goku and then the Genesis chamber, where Lord Piccolo creates Ful Lums, nasty little creatures with a tendency towards violence. Then we’re taken outside to some even larger sets; a volcano pit of black rock and large slabs of electric green (presumably for special effects, at least that’s what I hope they’re for), and the Dragon Temple, where Goku and Lord Piccolo will have their final balls out, fisticuffs mano to mano climactic fight to retain the final dragonball. International badass Chow Yun-Fat is here today (incidentally, his last day on the movie), shooting some second unit footage. The first involves a stage entirely dressed in blue screen, with the actor seated in what can best be described as a truncated airstream trailer mated with Ben Hur’s chariot. The actor leans back as the trailer is rocked steadily by grips and looks wistfully out at well, nothing. We’re told this is some kind of vision Goku has when he stares into one of the Dragonballs. Guess we have to take their word for it. Whatever, that’s the KILLER sitting in that thing over there! Sweet! This is followed by another second unit scene with Mr. Chow, but this time in the Tre San Temple. Here the Crouching Tiger star ominously (although said tone is lessened slightly by the actor’s loud Hawaiian shirt, apparently a staple of the live-action Roshi) tells the slowly tracking camera that “Seven Dragonballs must be found.” Okay, not wildly off-the-wall exciting, but at least a lot more explanatory than the airstream thing. And finally, we’re brought in to witness a portion of the final fight between Goku and Piccolo—hey, there’s Justin Chatwin and James Marsters! The scene is set outside in the Dragon Temple, and whatever impression we had of a manufactured movie stage in the daylight evaporates instantly. Echoing Tatooine with its desert rocks, lit up and smoky, the place no longer feels like a set, but somewhere lightyears from our universe. Steam bellows threateningly off rock formations that look way too real to be fake. Marsters, decked out in full-on bald-headed ghostly alien makeup rolls up on Chadwin, whose telltale arms and martial arts gi have him looking just enough like the anime Goku to retain the character (but not too much to make him look stupid). Chatwin, I mean Goku, kneels over his dead master (a stand-in for Chow, lying inert in the dirt) and spits game at Lord Piccolo (the actor formerly known as James Marsters is completely invisible in the makeup), telling him, “If there’s one thing my grandfather taught me, the first rule is, there are no rules.” ‘Nuff said. He charges. Piccolo, never one to wuss from a fight, rushes forward to meet his foe. Goku swings a piledriver punch. Piccolo blocks it. And-- “cut!” director James Wong yells from behind pair of monitors. Everything stops. I hate it when they do that. Chow Yun-Fat He fires two guns simultaneously better than any other actor living or deceased. He’s fought on paper-thin branches in the lush forests of QING China. He’s danced with Jodie Foster while commanding his own kingdom. And now international superstar Chow Yun-Fat takes on his what is perhaps his most diverse challenge yet; Master Roshi, mentor to Earth-saving hero Goku in the upcoming film version of the wildly successful Japanese mangas Dragonball. Chow was not familiar with the Dragonball series until the role in the film was brought to his attention. At the time of the manga release, the actor says, “I was so busy doing all of John Woo’s movies, I didn’t see it when it first came out.” But a number of elements in the script appealed to him; the action, the humor, the mythology, but most of all, the relationship between Roshi and his student Goku (played by Justin Chatwin). Their dynamic was key to the actor in both his decision to take the role and how he played the part. “It’s not a traditional master and student relationship, it’s more like a friendship,” he says. In the manga, Roshi’s character is portrayed as something of a dirty old man. But Chow explains how the character has been toned down, “The way it is now is very appropriate for my character.” He then expounds, “Master Roshi is a very funny guy with a sense of humor.” says Chow . “I never have played this kind of character and for me it’s very brand new; comedy, drama, action, all the CGI.” Having done comedy in his native Hong Kong films before, Western comedy is something the actor was quite new to. He found this to be the most challenging aspect of his role. Speaking of comedy, he says, “It’s very cultural. It’s not easy. (Writer/Director) James Wong gave me a lot of room to create Master Roshi,” he says. “All the time I’m over the top and he’s telling me, Mr. Chow, too much, too much.” Compared to his previous work, the actor explains, “Action is more physical, comedy is difficult for every actor, except Jim Carrey. I try and I hope that (people) like it.” And while the actor is very used to squibs and heavy physical stunts, CGI is something he’s relatively new to. “I did some wire work in Crouching Tiger, Hidden Dragon, but not like in this movie. This movie is like forty to fifty percent CGI.” He describes the process of acting against a blue or green screen as quite demanding, or more specifically, like “Acting to the air.” Chow also cites the opportunity for diversity that Dragonball affords him. He mentions the limited amount of roles Hollywood typically affords Asian actors. Usually, he says he’ll be a “Gangster, a waiter, a drug dealer. This is a great opportunity to let an audience see the other side of Chow Yun-Fat. They can see the guy in Crouching Tiger, Hidden Dragon, or maybe they see the King of Siam. I want more different directions for my characters.” And his ideal role? “A character who doesn’t speak a word.” Then he adds with a laugh, “I wouldn’t need a dialogue coach at all.” James Marsters “I’d been a fan for five years and had seen ninety-eight percent of the Dragonball episodes before I got the role,” says James Marsters who plays Big Bad Piccolo, archnemesis of Goku in Twentieth Century Fox’s upcoming live action adaptation of the immensely popular Japanses manga. Then he adds, “I’ve got a son who will kill me if I get this wrong.” Marsters, best known for his infamous role as Spike, the seductively nefarious vampire in Buffy the Vampire Slayer is in full makeup (a four hour ordeal) waiting for a climactic battle scene to be lit on the set of the film in Durango, Mexico. “When I first got cast, I thought that I was not right for Piccolo,” Marsters continues. “I have to give it to (screenwriter/director) Jim Wong, I understand why he cast me now, now I feel like there’s not another human being who can do the role.” Marsters doesn’t consider his character to be a villain in the traditional sense. “Piccolo was working with the Mystics. He did one thing the Mystics didn’t agree with, and instead of talking about it, they threw him in jail. And it was not a nice a jail, it was like where no molecule in your body moves for two thousand years. I don’t think Piccolo’s evil, he’s just really mad.” The actor expounds by comparing this aspect of the film to literary classics. “In Shakespeare, there really are no villains or heroes, there would just be people behaving in a villainous manner or a heroic manner; it depends on what chapter of their life that you happened to climb in on. And I think Dragonball has the same kind of universe where people start really evil and get redeemed in a fairly realistic way. I think that takes it away from white hats and black hats stapled on characters.” Marsters also took on the role for personal reasons. When speaking of both the film and the manga, Marsters comments, “I’m a fan because it helped me raise my son to understand his aggression and his anger is not a bad thing. It’s a dragon you have to ride. You can’t kill your own dragon, but at the same time, you can’t let your dragon run you out of control. Dragonball helps to teach young boys that being a real man is being a goofy man sometimes. Being a kind man, being a gentle man. And that has nothing to do with being weak. That is a good role model and it’s helped me explain to my son how to be a man.” Knowing what magnitude Piccolo holds in the story, Marsters has put his own unique stamp on the role. “I really wanted the character to be hungry, old, decrepit and ugly. And for that to work for me, I had to look in the mirror and think myself ugly and decrepit. I wanted a makeup that my girlfriend would not want to kiss.” Then he pauses and comments, “Which I got, and which is really frustrating.” Writer and Director James Wong Taking a break from the genre he’s most known for (see Final Destinations 1 and 3 and the X-Files for more on this), writer/director James Wong turns his talents to adapting Akira Toriyama’s hugely popular manga Dragonball to the big screen in a tentpole film larger in scope than anything the filmmaker has undertaken before. Wong was not all that familiar with the series before he began work on the movie. “Except through my kids, who were watching Dragonball Z, I didn’t really know too much about it. When I heard about it, I thought ‘wow,’ I don’t know what to do with this thing, it’s so crazy.” But that was enough to spark his interest. “I looked at the mangas and it gave me a whole different perspective of what this movie could be. So I read the books and I was totally enthralled by them. They’re really charming and fun.” Wong found himself dealing with the challenge of staying faithful to his source material and adapting the work so it can be enjoyed by all audiences, not just diehard fans of the original. “There’s eighteen books, so there’s an incredible amount of story that can be put into one movie.” He explains further, “I also wanted to age up Goku, because in the mangas he’s only about twelve years old and it’s not until the end that he becomes a teenager. So we wanted to start him on his eighteenth birthday, and that changes a lot. But I think the most important thing in the movie is to capture the tone and the fun that Dragonball is. It was a matter of trying to figure out the journey for Goku, how he comes to realize who he is.” Adapting a work of such fantastical depths was another pressing aspect of putting the film together. “We obviously had to take out parts that we could do. The mangas are so fantastic, there are so many different places you can go.” The filmmaker’s goal is to take Goku from relatability into this otherworldly universe. Wong explains, “As he goes on his adventure, things that he visits and environments that he’s in become much more fantastic. We wanted to bring in people who don’t know Dragonball into the world and hopefully (that) allows them to go out, look back at the Manga and get caught up in it the same way like I did.” Another aspect of the picture Wong is looking to make an impression with are the fight sequences. He says, “One of the things Fox asked was, ‘how is this gonna look different and feel from other martial arts movies that we’ve seen?’” From this question, the filmmakers responded with two different approaches. The first involved the use of state-of-the-art high-tech tiny cameras—so small they can actually be fitted directly onto an actor. Wong explains, “Our visual effects supervisor suggested you can have actually a “fist-cam.” To which he demonstrates by indicating an area on his arm he’d mount the camera and then throwing a slow-motion punch. The other approach involved shutter speed. Wong says, “(Director of photography) Robert McLachlan showed me this thing on YouTube where a scientist poked a hole in a balloon shot at a thousand frames per second. And when the pin hit the balloon, the balloon broke apart immediately, but the water retained the shape (of the balloon), and then it started cascading down. We thought that was a really interesting look, and we thought how can we employ this technology, this camera within our fight sequences. We built some moments around this incredible device.” Ultimately, Wong speaks of his greatest hope in making Dragonball, the live action film. “If we can get this movie to get people excited and have them read mangas, that would be the greatest thing, to introduce this world of Dragonball to the public and if they get into it, they’ll really get into the whole saga. So I think this is a really special project and I’m really excited to be doing it.” He suprimido parte de la entrevista por que no entraba en el post para verla entera entren en movie blog Ugo

gracais tote

si, porfavor que alguien lo traduzca que el ingles se me da muy mal

yo lt lo traduzo en un momento

REDIT: TRAUDCCION

Uno no se imagina a una fábrica que produce pantalones vaqueros serviría como el lugar ideal para filmar una gran película. Pero aquí estoy de pie dentro de una abandonados en un medio de viento Durango, Mexico en el conjunto de Twentieth Century Fox la próxima adaptación de la acción en vivo de Akira Toriyama crazily popular manga japonés Dragonball. La historia gira en torno a Goku, un aparentemente ordinaria dieciocho años de edad que está bajo la tutela de un Maestro Roshi para localizar a siete misterioso y poderoso dragonballs. Goku se convierte en un guerrero y se encuentra en una carrera contra el malvado Señor Piccolo por la posesión de dichas pelotas para la protección de la Tierra.

Los conjuntos son impresionantes, por decir lo menos. Muy detalladas e intrincadas, que realmente te hacen olvidar que estás en el alto desierto del sur de la frontera. Nos llevaron a través del templo de San Tre, donde instruye a Goku Maestro Roshi y luego la cámara Génesis, cuando Dios crea ful Lums Piccolo, poco desagradable criaturas con una tendencia hacia la violencia. Luego nos toman fuera aún mayor para algunos conjuntos, un volcán hoyo negro del rock y grandes losas de electricidad verde (presumiblemente de efectos especiales, por lo menos eso es lo que espero que esté de), y el dragón del Templo, donde Señor Goku y Piccolo tendrá su final en bolas, puñetazos mano a mano climáticas lucha para mantener el dragonball final.

Badass internacional Chow Yun-Fat es hoy (por cierto, su último día en la película), segunda unidad de disparo algunas escenas. La primera implica una etapa totalmente vestida de azul la pantalla, con el actor sentado en lo que se describe mejor como un remolque acoplado truncado de aire con carro de Ben Hur. El actor se inclina de nuevo como el remolque es sacudido constantemente por el frente y mira con nostalgia a cabo en ... bueno, nada. Se nos dice esto es algún tipo de visión tiene Goku cuando mira a uno de los Dragonballs. Supongo que tienen que tomar su palabra. Lo que sea, que el asesino sentado en esa cosa de allá! Dulce!


Esto es seguido por otra unidad de escena con el Sr. Chow, pero esta vez en el Templo de San Tre. Aquí la estrella Tigre inquietante (aunque dijo se reduce ligeramente el tono por el actor de la camisa hawaiana fuerte, al parecer un elemento básico de la acción en vivo-Roshi) le dice a la cámara lenta de seguimiento que "Siete Dragonballs debe ser encontrado." Bien, no salvajemente fuera de la pared emocionante, pero por lo menos mucho más explicativo que la corriente de aire cosa.

Y finalmente, estamos ante un testigo de parte de la lucha final entre Goku y Piccolo-hey, hay Justin Chatwin y James Marsters! La escena es fuera de serie en el Templo de los Dragones, y lo hemos tenido la impresión de una película fabricada en la fase de la luz del día se evapora instantáneamente. Haciéndose eco de desierto de Tatooine con sus rocas, iluminada y humeante, el lugar ya no se siente como un conjunto, pero en algún lugar de años luz de nuestro universo. Fuelle de vapor amenaza fuera formaciones rocosas que parecen demasiado real para ser falso. Marsters, cubierta en su totalidad-en la cabeza calva fantasmal exóticas maquillaje rollos en Chadwin, cuyo indicador de armas y artes marciales le han gi mirar sólo lo suficiente como el anime Goku de retener el carácter (pero no demasiado para hacer ver lo estúpido) . Chatwin, me refiero a Goku, se arrodilla sobre su maestro muerto (en un stand de Chow, tumbado inerte en la tierra) y escupe juego en el Lord Piccolo (el actor antes conocido como James Marsters es completamente invisible en el maquillaje), diciéndole, "Si hay una cosa que mi abuelo me enseñó, la primera regla es, no hay reglas." 'Nuff Said. Él cargos. Piccolo, y nunca a un wuss de una pelea, corre hacia adelante para cumplir con su enemigo. Goku columpios un piledriver ponche. Piccolo bloques de la misma. Y - "¡Corten!" Director James Wong grita desde atrás par de monitores. Todo se detiene. Odio cuando lo hacen.

Él dispara dos pistolas mejor que cualquier otro actor vivo o fallecido. Él luchó en el papel-finas ramas en los frondosos bosques de Qing de China. Ha bailado con Jodie Foster, mientras que el mando de su propio reino. Y ahora, la superestrella internacional Chow Yun-Fat en su toma lo que es quizá su desafío aún más diversos; Maestro Roshi, mentor de héroe para salvar a la Tierra Goku en la próxima versión de la película un éxito japonés manga Dragonball.

Chow no estaba familiarizado con la serie Dragonball hasta el papel en la película fue traído a su atención. En el momento de la liberación de manga, el actor dice: "Yo estaba tan ocupado haciendo todas las películas de John Woo, yo no lo vi cuando vino por primera vez a cabo." Pero una serie de elementos en el guión le hizo un llamamiento a ; la acción, el humor, la mitología, pero sobre todo, la relación entre el estudiante y su Roshi Goku (interpretado por Justin Chatwin). Su dinámica es fundamental para el actor en su decisión de tomar el papel y la forma en que desempeñó el papel. "No es una tradicional relación de maestro y estudiante, es más como una amistad", dice.

En el manga, Roshi es el personaje retratado como algo de un viejo verde. Pero Chow explica cómo el personaje se ha rebajado, "La forma en que está ahora es muy apropiado para mi personaje". A continuación, expone, "Maestro Roshi es un hombre muy gracioso con un sentido del humor." Dice Chow. "Nunca han jugado este tipo de personaje y para mí es muy nuevo, comedia, drama, acción, todos los CGI." Después de haber hecho comedia en su país natal antes de las películas de Hong Kong, Western comedia es algo que el actor era muy nueva para. Encontró que este es el aspecto más desafiante de su papel. Hablando de comedia, dice, "Es muy culturales. No es fácil. (Escritor / Director) James Wong me dio un montón de espacio para crear Maestro Roshi, "dice. "Todo el tiempo estoy en la parte superior y que está diciendo a mí, el Sr. Chow, demasiado, demasiado". En comparación con su anterior trabajo, el actor explica, "La acción es más física, la comedia es difícil para cada uno de los participantes , con excepción de Jim Carrey. Intento y espero que (la gente) le gustó. "

Y mientras que el actor es muy utilizado para squibs y trucos físicos pesados, CGI es algo relativamente nuevo que está a. "Hice algunos trabajos en alambre de Tigre y Dragón, pero no como en esta película. Esta película es como cuarenta a cincuenta por ciento CGI ". Él describe el proceso de actuar contra una pantalla azul o verde como muy exigente, o más específicamente, como" La adopción de medidas para el aire. "

Chow también menciona la posibilidad de la diversidad que le ofrece Dragonball. Menciona la cantidad limitada de papeles de Hollywood normalmente ofrece Asia actores. Usualmente, él dice que va a ser un "Gangster, un camarero, un traficante de drogas. Esta es una gran oportunidad para que el público vea el otro lado de Chow Yun-Fat. Pueden ver el tipo de Tigre y Dragón, o tal vez que ver el Rey de Siam. Quiero más diversas direcciones para mis personajes ". Y su papel ideal? "Un personaje que no habla una palabra." Luego, añade con una risa, "No necesitamos un entrenador diálogo en absoluto".

PRONOT LOI DEMAS

muchas gracias Gokusupersaiyajin!!!!

Gokusupersaiyan gracias por la traduccion, ya veo que utilizas bien el google traductor jeje bueno por lo menos algo entendemos.

Por cierto que opinais de las voces del doblaje, yo soy de españa por lo que no lo aprecio, pero os impresiona tanto escucharlo como pensabais?

Tote escribió:

Gokusupersaiyan gracias por la traduccion, ya veo que utilizas bien el google traductor jeje bueno por lo menos algo entendemos. Por cierto que opinais de las voces del doblaje, yo soy de españa por lo que no lo aprecio, pero os impresiona tanto escucharlo como pensabais?

yo la verdad,y siendo sincero ,al igual que la pelicula el sonido lo disfrutare al maximo en el cine,la verdad el spot no aprecio nada de lo que dice ,se escucha muy mal como para darme una impresion clara de como estan las voces,nomas escuche mas o menos claro el wooooooo de yamcha al ultimo. y me refiero al grito de yamcha ,no del chavo que subio el video que se emocionó.

Bueno logre grabar el spot de la tv con mayor calidad




y si quieren descargarlo con mayor calidad igual como lo grabe,aca les dejo el link

Spoiler:
	http://www.megaupload.com/?d=87IN5CSU

como dicen que hay dos spot vere si puedo grabar el otro


salu2

la pu!!! graias z rider!"!!

Tote escribió:

Por cierto que opinais de las voces del doblaje

yo prefiero no opinar.

gracias!!!!!....que bien se escucha en latino!!!!!!...yaju!!!!!!!!!!!!!!!!!!!!

jaja me eh dado cuenta de algo curioso…!!!…en el primer trailer que salio ese chafasa!!!!…donde no se ven casi nada de efecto y todavia no estaba el nombre de evolution…se ve una escena donde goku da vueltas en el aire y nada mas….ahora en este spot que salió(noticia anterior)…se ve en el segundo 0:16 goku dando vueltas en el aire pero esta vez esquivando el ki de piccoro…:O!

Gracias Z-rider por el spot con mejor calidad,y pienso que a mi deberia de ser a quien le dieran las gracias por la noticia,pero pues eso no importa

ahora se escucha mejor y es un sueño escuchar a goku y piccolo de la serie en la pelicula!!!!!!!!!!! Mario hace un poco màs suave la voz, como cuando goku estaba en el torneo ante mayunia.... pero es su voz... el es goku!!!!!
Gracias....

EXCELENBTE!!!!!!!!!!!!!!!! lo veo cada vez más--..!!! awebo!!!!!! lpaul ewvita acer doble post.... para k no t vayan a banear .. salu2

Son Goku escribió:

Gracias Z-rider por el spot con mejor calidad,y pienso que a mi deberia de ser a quien le dieran las gracias por la noticia,pero pues eso no importa

el 1º video lo subio a la red Son Goku... deberìan darle las gracias a el!!!!!!

PD: gracias z-rider por el video en mejor calidad!!